Here Tamara is dancing a variant of The Hunt (Rape of the Palace) with her partner Alexander. Both are collared with their master’s mark. It is Tamara’s third brand and Alexander’s presence though which are of interest to us today – Alexander only performed within the Fenrir Sultanate, and later in Greece. Tamara received her third brand at the hand of Prince Alecrast, while pregnant with his pups. These facts, and Tamara’s currently flat belly, tell us the vixen has completed her breeding contract under Alecrast and has by now whelped his bastards. Tamara’s plentiful milk tells us she is likely breast feeding those same royal pups this very week. The ornate wall behind the two dancers tells us this is likely an entertainment room inside a saray – probably Jinyssa’s saray where Tamara has served for many years.

And what is this afternoon’s entertainment? From the penis on display it appears to be the most vulgar version of ‘The Rape of the Palace’, a dance theater of Warg pillaging through an ancient Prince’s palace (some argue this is a historical fact, others believe it to be mere folk tale). We see the two dancers but the small audience dining at table and enjoying the show is not visible. And Alexander putting on his vicious Warg face is just that - him putting on (acting) a fake face for the gathered Fenrir. Alexander is actually rather fond of his mother.

The various sorts of Warg in this world have been partially documented here.
Alexander is the very first ‘dancing Warg’ (sired by Saichi all those years ago), and the Warg mongrel is why the audience has paid gold to view this entertainment. They are aficionados of ‘The Hunt’, the genre where young female canid bitch is run to ground (or simply wooed) by semi-feral Warg. There are many variations of ‘The Hunt’, and all performances have been constrained in one way or another by the male dancers who portray the antagonists. Some Warg have danced as hulking brutes, but can only remember a few choreographed steps. More refined Warg can dance the more advanced choreography, but are not quite as ominous as their bulkier brethren.

Alexander belongs to the later set of dancing males; he can memorize more steps than any of his predecessors. In the years to come Fenrir masters who are fans of ‘The Hunt’ will cross his offspring (for Alexander has already impregnated several females) back with more ‘base’ Warg, to try to re-capture the desired for bulk. But one unique ability which Alexander possesses, and which has never been seen before in any Warg, is Alexander’s dancing – he can drop his spear and bring himself to climax within female solely by five quick thrusts, and consequently not destroy the dance’s over all rhythm; for all Warg possess the knot, and previously all Warg could never restrain themselves - until Alexander. To watch Warg tied within Kitsune bitch for twenty minutes is rather boring and Alexander has been taught this. He knows not to hilt his partner.

Tamara was raised as Raj, the most intellectually advanced form of Vulpes. The morals of the Vulpes are still heavily in alignment with their former creators, the humans. Imagine the vixen’s surprise then when Jinyssa first insisted she perform with her son. It had been years since her master had to use his training whip on the Kitsune but that day he had need to reach for it again.

Now the Kitsune bitch does not care who she is partnered with, nor which variant of ‘The Hunt’ she must perform for gathered crowd. If Jinyssa instructs Alexander to perform The Palace and couple with his mother then couple the two shall.

In a few months Jinyssa will impregnate his Kitsune pleasure slave with his own pups and put her up for sale It will be Alexander and Kierstal who rescue her from the market. Alexander will escape the Sultanate and head to Greece; Tamara and Kierstal will travel to the west coast of the New World.

And does Tamara ever see Alexander again? She visits Alexander during lengthy vacation in Greece at least twice in the coming years.

Alexander is mostly Warg. He lacks the ‘Kitsune eyes’; but he does have his mother’s brown ear tips. As a Warg mongrel he did not inherit Tamara’s lengthy life span. His DNA documents more the Warg-for-War aspect of the Creators’ bio-engineering projects, and not the Kitsune-for-sex-trade.