Princess Farah in the far, far, future state of Gujarat.

Technically Farah is no longer a princess, nor a queen; she is now just another Kitsune performing the duties and rites of a priestess residing at a temple in Gujarat. A priestess of the Hindu goddess of carnal desire, passion, and sexual pleasure – the goddess Rati.

Farah was conceived from coitus between King Alecrast and his royal pleasure slave, Tamara. Farah’s mother still lives, far, far to the East, on the islands of Japan. Her father lived a long, eventful life, but he has been dead for decades; as has Farah’s half-brother, Albrecht, King of Azerbaijan.

Farah’s husband, the King of Turkmenuzbekistan has also been dead these many years. So with no queenly responsibilities Farah has lived a Kitsune’s life of the pursuit of sexual pleasure. What Farah’s duties consist of at this place of worship we will have to imagine.

This scene might be Farah awakening from a late morning nap – perhaps the vixen needs her rest today as there is some sort of ritual or celebration planned for the evening? The worshippers and priests and priestesses at this temple are beastmen. What human believers in the Vedas as still exist now live underground in ancient, buried cities.

It is not readily apparent as to the extent a beastman’s practice of Hinduism has diverged over the centuries from a human worshiper’s rituals and beliefs.